Cambridge A Level Classical Studies 9274 — 2016 Oct/Nov Paper 2 · Variant 3

This document consists of 7 printed pages, 1 blank page and 1 insert. DC (ST/SW) 117726/3 © UCLES 2016 [Turn over Cambridge International Examinations Cambridge International Advanced Subsidiary and Advanced Level * 2 2 4 0 1 3 9 9 2 0 * CLASSICAL STUDIES 9274/23 Paper 2 Roman Civilisation October/November 2016 1 hour 30 minutes No Additional Materials are required. READ THESE INSTRUCTIONS FIRST An answer booklet is provided inside this question paper. You should follow the instructions on the front cover of the answer booklet. If you need additional answer paper ask the invigilator for a continuation booklet. There are four sections in this paper. Each section is worth 25 marks. You must answer two questions. Choose one question from two different sections. You should spend 45 minutes on each section. You are reminded of the need for good English and clear presentation in your answer. The number of marks is given in brackets [ ] at the end of each question or part question.

2 9274/23/O/N/16 © UCLES 2016 SECTION ONE: AUGUSTUS Answer ONE of the following three questions. EITHER 1 Read the passage below and answer the questions which follow: Finally, on assuming the office of Chief Priest vacated by the death of Marcus Lepidus – he could not bring himself to divest his former colleague of it, even though he were an exile – Augustus collected all the copies of Greek and Latin prophetic verse then current, the work of either anonymous or unrespected authors, and burned more than two thousand. He kept only the Sibylline Books, and edited even these before depositing them in two gilded cases under the pedestal of Palatine Apollo’s image. Since official negligence had allowed the Calendar, reformed by Julius Caesar, to fall into confusion, he put it straight again; and while doing so renamed the month of Sextilis ‘August’ (although he had been born in September), because it was during Sextilis that he had won his first Consulship and his most decisive victories. He increased the priesthood in numbers and dignity, and in privileges, too, being particularly generous to the College of Vestal Virgins. Moreover, when the death of a Virgin caused a vacancy in this College, and many citizens busily tried to keep their daughters’ names off the list of candidates – one of whom would be chosen by lot – Augustus took a solemn oath that if any of his grand-daughters had been of eligible age he would have proposed her. (Suetonius Augustus 31) (i) Why was the ‘office of Chief Priest’ (line 1) important? [1] (ii) Who was Marcus Lepidus? [2] (iii) What were the Sibylline Books (line 5)? Why were they important to the Romans? [3] (iv) In which year did Augustus hold his first consulship? [1] (v) What was the role of the Vestal Virgins (line 12) in the life of Rome? [3] (vi) ‘Augustus was a deeply religious man.’ Explain why religion was important to Augustus. [15] [25] OR 2 ‘Octavian seized power in a totally illegal way.’ How far do you agree with this assessment of the methods used by Octavian to seize power? In your answer, you should discuss events from the assassination of Julius Caesar to the Battle of Actium. [25] OR 3 How far did Augustus rely on members of his family and his friends in running the Roman Empire? [25] 5 10 15

3 9274/23/O/N/16 © UCLES 2016 [Turn over SECTION TWO: VIRGIL Answer ONE of the following three questions. EITHER 4 Read the passage below, and answer the questions which follow: Then his father Anchises began to speak through his tears: ‘O my son, do not ask. This is the greatest grief that you and yours will ever suffer. Fate will just show him to the earth – no more. The gods in heaven have judged that the Roman race would become too powerful if this gift was theirs to keep. What a 5 noise of the mourning of men will come from the Field of Mars to Mars’ great city. What a cortege will Tiber see as he glides past the new Mausoleum on his shore! No son of Troy will ever so raise the hopes of his Latin ancestors, nor will the land of Romulus so pride itself on any of its young. Alas for his good- 10 ness! Alas for his old-fashioned truthfulness and that right hand undefeated in war! No enemies could ever have come against him in war and lived, whether he was armed to fight on foot or spurring the flanks of his foaming warhorse. Oh the pity of it! If only you could break the harsh laws of Fate! You will be 15 Marcellus. Give lilies from full hands. Leave me to scatter red roses. These at least I can heap up for the spirit of my descendant and perform the rite although it will achieve nothing.’ So did they wander all over the broad fields of air and saw all there was to see, and after Anchises had shown each and every 20 sight to his son, and kindled in his mind a love for the glory that was to come... (Virgil, Aeneid 6) (i) In what part of the Underworld are Anchises and Aeneas? [1] (ii) What have Anchises and Aeneas been doing before the start of this passage? [2] (iii) Who was Marcellus (line 16)? [1] (iv) ‘The content of the passage is both patriotic and tragic.’ Write out three examples and explain how each example is either patriotic or tragic. [6] (v) How and why is Anchises important in the books of the Aeneid you have studied? [15] [25] OR 5 Explain which book of the Aeneid you consider to be more tragic, Book 2 or Book 4. [25] OR 6 ‘Virgil is a master storyteller.’ How far do you agree with this assessment? You should make reference to the books of the Aeneid you have studied. [25]

4 9274/23/O/N/16 © UCLES 2016 SECTION THREE: JUVENAL Answer ONE of the following three questions. EITHER 7 Read the passage below, and answer the questions which follow: For the lower-income guests, some dubious toadstools: for my lord, a rare mushroom, the kind that Claudius guzzled (until his wife fed him one that wrote finis to his eating). For himself, and his fellow-tycoons, friend Virro will order the choicest fruits to be served, their scent a feast in itself, 5 fruit such as grew in Phaeacia’s eternal autumn, or might, you feel, have been rifled from the Hesperides. For yourself, a rotten apple, the sort munched on the Embankment by monkeys with shield and helmet, cringing beneath the whip as they learn to throw spears from the back of some shaggy she-goat. 10 Perhaps you think Virro’s close-fisted? No way. He does it to make you suffer. What farce, what pantomime could elicit bigger laughs than your pleading gullet? His whole idea – in case you didn’t get it – is simply to reduce you to furious tears, an endless grinding of molars. 15 You see yourself as a free man, your lord’s invited guest; but he assumes you’ve been hooked by the smell from the kitchen – and he’s not far wrong. (Juvenal, Satire 5) (i) Name the lower-income guest mentioned in Satire 5. [1] (ii) What happened to Claudius when he ate the mushrooms his wife fed him (line 3)? [1] (iii) How does the example of the apples (lines 4–10) support the point Juvenal is making here? [2] (iv) From this passage, find three examples of Juvenal’s satiric technique. Write out the example, identify the technique and explain its effect. [6] (v) How effectively does Juvenal highlight the differences between the rich and the poor in Satire 5? [15] [25] OR 8 ‘Satire 3 is convincing only because of the use of the persona of Umbricius.’ How far do you agree with this statement? [25] OR 9 ‘Though talent be wanting, yet indignation will drive me to verse’ Satire 1. To what extent do you agree with Juvenal’s own view of his Satires? You should make reference to at least two Satires. [25]

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6 9274/23/O/N/16 © UCLES 2016 SECTION FOUR: ROMAN ARCHITECTURE Answer ONE of the following three questions. EITHER 10 Study the diagrams below, and answer the questions which follow: Building A

7 9274/23/O/N/16 © UCLES 2016 [Turn over Building B (i) Identify the two types of public building shown in the diagrams above. [2] (ii) Give two uses of each of these types of public building. [4] (iii) Who usually funded these types of building in a Roman city, and why? [2] (iv) Give the name of a specific example of each of these types of public building. [2] (v) Compare and contrast the layout, architecture and details of the two buildings you have named in (iv). [15] [25]

8 9274/23/O/N/16 © UCLES 2016 OR 11 What considerations did an architect have to bear in mind when designing and constructing a temple? In your answer, you should refer specifically to at least two temples. [25] OR 12 ‘Practical structures, such as baths, are merely buildings; structures with visual appeal, such as basilicas, are architecture.’ How far do you agree with this opinion? In your answer, you should include reference to at least three specific monuments. [25] Permission to reproduce items where third-party owned material protected by copyright is included has been sought and cleared where possible. Every reasonable effort has been made by the publisher (UCLES) to trace copyright holders, but if any items requiring clearance have unwittingly been included, the publisher will be pleased to make amends at the earliest possible opportunity. To avoid the issue of disclosure of answer-related information to candidates, all copyright acknowledgements are reproduced online in the Cambridge International Examinations Copyright Acknowledgements Booklet. This is produced for each series of examinations and is freely available to download at www.cie.org.uk after the live examination series. Cambridge International Examinations is part of the Cambridge Assessment Group. Cambridge Assessment is the brand name of University of Cambridge Local Examinations Syndicate (UCLES), which is itself a department of the University of Cambridge.

® IGCSE is the registered trademark of Cambridge International Examinations. This document consists of 14 printed pages. © UCLES 2016 [Turn over Cambridge International Examinations Cambridge International Advanced Subsidiary and Advanced Level CLASSICAL STUDIES 9274/23 Paper 2 Roman Civilisation October/November 2016 MARK SCHEME Maximum Mark: 50 Published This mark scheme is published as an aid to teachers and candidates, to indicate the requirements of the examination. It shows the basis on which Examiners were instructed to award marks. It does not indicate the details of the discussions that took place at an Examiners’ meeting before marking began, which would have considered the acceptability of alternative answers. Mark schemes should be read in conjunction with the question paper and the Principal Examiner Report for Teachers. Cambridge will not enter into discussions about these mark schemes. Cambridge is publishing the mark schemes for the October/November 2016 series for most Cambridge IGCSE®, Cambridge International A and AS Level components and some Cambridge O Level components.

Page 2 Mark Scheme Syllabus Paper Cambridge International AS/A Level – October/November 2016 9274 23 © UCLES 2016 Generic marking descriptors: gobbet essays (AS) • The full range of marks will be used as a matter of course. • Examiners will look for the ‘best fit’, not a ‘perfect fit’ in applying the levels. • Examiners will provisionally award the middle mark in the level and then moderate up/down according to individual qualities within the answer. • Question-specific mark schemes will be neither exhaustive nor prescriptive. Appropriate, substantiated responses will always be rewarded. Level/marks Descriptors Level 1 13–15 ANSWERS MAY NOT BE PERFECT, BUT WILL REPRESENT THE VERY BEST THAT MAY BE EXPECTED AT THIS LEVEL. • will be comprehensive in coverage; • will be detailed in knowledge; • will be detailed in the use of specific examples in support of points made; • will be attentive to all parts of the question in equal depth; • will be lucid in style and organisation; • will show evidence of individual thought and insight; • the answer is fluent. Level 2 10–12 • will be very good in coverage; • will be supported with good/adequate examples and illustrations; • will be attentive to all parts of the question in some depth; • will be well organised and clearly expressed; • may have some minor errors; • for the most part, the answer is fluent. Level 3 7–9 • will be adequate in coverage of question requirements, but perhaps unbalanced in treatment; • will be supported with fewer examples and detail; • will be too general; • may be stylistically clumsy or inconsistent; • may contain irrelevant material; • shows some fluency. Level 4 4–6 • will be deficient or limited in knowledge; • will show misunderstanding or misinterpretation of question; • will use few or irrelevant examples; • will be muddled and limited in expression. Level 5 0–3 • will show serious misunderstanding of the question or lack of knowledge; • will show factual inaccuracies; • will not use examples; • will not make relevant points.

Page 3 Mark Scheme Syllabus Paper Cambridge International AS/A Level – October/November 2016 9274 23 © UCLES 2016 Generic marking descriptors: full essays (AS) • The full range of marks will be used as a matter of course. • Examiners will look for the ‘best fit’, not a ‘perfect fit’ in applying the levels. • Examiners will provisionally award the middle mark in the level and then moderate up/down according to individual qualities within the answer. • Question-specific mark schemes will be neither exhaustive nor prescriptive (unless specified to the contrary). Appropriate, substantiated responses will always be rewarded. Level/marks Descriptors Level 1 21–25 ANSWERS MAY NOT BE PERFECT, BUT WILL REPRESENT THE VERY BEST THAT MAY BE EXPECTED AT THIS LEVEL. • will be comprehensive in coverage; • will be detailed in knowledge; • will be detailed in the use of specific examples in support of points made; • will be attentive to all parts of the question in equal depth; • will be lucid in style and organisation; • will show evidence of individual thought and insight; • the answer is fluent. Level 2 16–20 • will be very good in coverage; • will be supported with good/adequate examples and illustrations; • will be attentive to all parts of the question in some depth; • will be well organised and clearly expressed; • may have some minor errors; • for the most part, the answer is fluent. Level 3 11–15 • will be adequate in coverage of question requirements, but perhaps unbalanced in treatment; • will be supported with fewer examples and detail; • will be too general; • may be stylistically clumsy or inconsistent; • may contain irrelevant material; • shows some fluency. Level 4 6–10 • will be deficient or limited in knowledge; • will show misunderstanding or misinterpretation of question; • will use few or irrelevant examples; • will be muddled and limited in expression. Level 5 0–5 • will show serious misunderstanding of the question or lack of knowledge; • will show factual inaccuracies; • will not use examples; • will not make relevant points.

Page 4 Mark Scheme Syllabus Paper Cambridge International AS/A Level – October/November 2016 9274 23 © UCLES 2016 SECTION 1: AUGUSTUS 1 (i) Why was the ‘office of Chief Priest’ (line 1) important? [1] He was in charge of all religious practices in Rome. (ii) Who was Marcus Lepidus? [2] Former general of Julius Caesar who had been a triumvir with Octavian and Mark Antony. Previous Pontifex Maximus. (iii) What were the Sibylline Books (line 5)? Why were they important to the Romans? [3] Books of prophetic sayings supposedly sold to King Tarquinius Superbus by the Sibyl. They were important because in times of crisis, the Romans consulted them to discover the best way to solve the problem. (iv) In which year did Augustus hold his first consulship? [1] 43 B.C. (v) What was the role of the Vestal Virgins (line 12) in the life of Rome? [3] They tended the sacred flame of Vesta; as long as this burned, Rome would exist. They also kept the wills of prominent citizens. (vi) ‘Augustus was a deeply religious man.’ Explain why religion was important to Augustus. [15] Augustus was a deeply religious man. He restored many temples after they had fallen into disrepair during the Civil Wars. He also built a large number of new temples, many in fulfilment of vows. He reinstated many traditional religious practices, such as the Secular Games and the Lupercalia. Augustus saw religion as a means to strengthen his rule. The restoration of traditional values restored peace and a sense of wellbeing to the people of Rome, raising him in the estimation of the people. He also exploited his links with the gods, such as Venus, and deified his father to be known as ‘the son of a god’. In the East, he allowed his name to be linked with that of Rome in worship, although he never openly permitted himself to be worshipped in Rome.

Page 5 Mark Scheme Syllabus Paper Cambridge International AS/A Level – October/November 2016 9274 23 © UCLES 2016 2 ‘Octavian seized power in a totally illegal way.’ How far do you agree with this assessment of the methods used by Octavian to seize power? In your answer, you should discuss events from the assassination of Julius Caesar to the Battle of Actium. [25] When Julius Caesar died, Octavian took the chance to make an attempt to seize power. Illegal • He raised an army illegally from his adoptive father’s troops. • He used this army to march on Rome and force the Senate to allow him to become consul at the age of 19. • The Triumvirate he formed with Mark Antony and Lepidus had the precedent of the first Triumvirate, but was still unconstitutional. • So were the proscriptions, and the seizure of land to settle his veterans. • During the Triumvirate, Octavian continually broke agreements about exchanges of troops and ships. • In the final struggle with Mark Antony, Octavian even illegally obtained Mark Antony’s will and made it public. Legal • Octavian’s acceptance of his adoption by Julius Caesar was fully legal. • This now gave Octavian the loyalty of all of Caesar’s clients. • He paid off the legacies left in Caesar’s will, despite Mark Antony’s attempts to prevent this. The illegality and unconstitutional nature of many of Octavian’s acts is shown by the way he felt compelled to have the Senate make his seizure of power legal after the event. 3 How far did Augustus rely on members of his family and his friends in running the Roman Empire? [25] Family Running the Empire was a huge task. Augustus needed help in running it, and relied on members of his own family as being trustworthy. He also brought people into the family through adoption and marriage. Because Augustus had no sons of his own, he adopted several. All helped him in running the Empire. Marcellus held magistracies before his death. Gaius and Lucius were sent out to the provinces to gain experience, but both died while abroad. Tiberius was one of Augustus’ most successful generals, as was his brother Drusus. Tiberius also became Augustus’ heir, and, despite a difference of opinion and self-imposed exile, he ended up as co-ruler in the last years of Augustus’ life. Augustus used his daughter Julia as a pawn in the political games, marrying her off to men whose support he needed. Friends Amongst the friends Augustus relied on were Agrippa and Maecenas. Agrippa, as well as winning the Battle of Actium, became an important figure in running the Empire, even marrying Julia and being declared as Augustus’ heir. Maecenas acted as Augustus’ propaganda minister, using poetry and the Arts to promote Augustus’ image. He appointed his friends to run the Imperial Provinces.

Page 6 Mark Scheme Syllabus Paper Cambridge International AS/A Level – October/November 2016 9274 23 © UCLES 2016 Even Livia, Augustus’ wife, was an invaluable source of information and advice. Without the help of these close friends and family members, Augustus would have found it impossible to run the Empire. But Augustus still needed the Senate to run Rome, despite the fact that it contained many opponents of his regime. However, the Senate took its lead from Augustus, passing his legislation. The Senate also appointed the governors of the Senatorial Provinces, since these had no army to threaten his position.

Page 7 Mark Scheme Syllabus Paper Cambridge International AS/A Level – October/November 2016 9274 23 © UCLES 2016 SECTION 2: VIRGIL 4 (i) In what part of the Underworld are Anchises and Aeneas? [1] Elysium (ii) What have Anchises and Aeneas been doing before the start of this passage? [2] Reviewing the fates of the souls waiting to be reborn. (iii) Who was Marcellus (line 16)? [1] Augustus' nephew (iv) ‘The content of the passage is both patriotic and tragic.’ Write out three examples and explain how each example is either patriotic or tragic. [6] Any three of the following: [1 per point + 1 per explanation] Patriotic • Description of Marcellus: ‘too powerful’, undefeated and unconquerable, truthful and good. • His effect upon the Romans: he will raise the hopes and pride of the Romans. • He is the epitome of Rome and Roman qualities – virtus, pietas. Tragic • His death is described as the ‘greatest grief’ the Romans will ‘ever suffer’. • His funeral is marked out by the ‘noise of mourning’ and the size of the cortege. • Marcellus’ inability to break free of his fate. (v) How and why is Anchises important in the books of the Aeneid you have studied? [15] Anchises plays a small but crucial role. Anchises summons Aeneas to visit him in the Underworld. This plays a crucial role in his son’s development as a character as Aeneas is able to view the souls of his descendants waiting to be reborn. This gives Aeneas greater motivation to accomplish his mission. In the passage, Anchises ‘kindled in his mind a love of the glory that was to come’. The Underworld episode also is another way of cementing Aeneas’ heroic stature. There is also a huge patriotic element in the pageant of heroes which would have been important for an ancient audience. On several occasions, Anchises allows Aeneas to demonstrate his pietas and the importance of the paterfamilias, e.g.: • escape from Troy; • interpretation of the omens and of divine support; • departure from Carthage; • the emotion evident in their reunion in the Underworld.

Page 8 Mark Scheme Syllabus Paper Cambridge International AS/A Level – October/November 2016 9274 23 © UCLES 2016 Anchises is also important in moving the plot along in Aeneas’ flight from Troy, the confusion of the escape, the loss of Creusa. In his dreams, he also helps to convince Aeneas to abandon Dido. He also provides Aeneas with guidance on what to do once Aeneas reaches Italy. Credit candidates who make reference to other books of the Aeneid. 5 Explain which book of the Aeneid you consider to be more tragic, Book 2 or Book 4. [25] In Book 2, Virgil presents a tragic picture of the fall of Troy. Areas for discussion might include: • the suffering caused by warfare affects both sides; • the deaths of Laocoon and his sons; • the manner in which the Trojans were tricked; • the graphic description of Hector’s mutilated body; • the depiction of men of both sides cut down; • the gruesome and brutal demise of Polites and Priam; • Aeneas’ desire to kill Helen; • the inevitability of Fate; • the sight of the gods ripping Troy apart; • the depiction of the conquered city and the booty piled up and prisoners in long lines; • the separation of families; • the fate of Creusa. Book 4 is also tragic. There is: • the manner in which Dido becomes a victim of the gods’ intervention and the Roman mission; • the largely unfeeling nature of the gods; • the fall of a successful and strong leader to a broken and isolated woman; • the lengths to which Dido goes to convince Aeneas to stay; • her obvious desire for family; • the way in which she hears about the news of Aeneas’ departure through Rumour; • her trickery of Anna and Anna’s grief; • the description of Dido’s suicide. Candidates should make close reference to the epic and come to a reasoned conclusion about which book they deem to be the more tragic, the fall of a nation or the fall of an individual.

Page 9 Mark Scheme Syllabus Paper Cambridge International AS/A Level – October/November 2016 9274 23 © UCLES 2016 6 ‘Virgil is a master storyteller.’ How far do you agree with this assessment? You should make reference to the books of the Aeneid you have studied. [25] Literary elements candidates might discuss include: • plot; • varied locations; • characterisation; • emotion; • theme. Literary techniques which are available for discussion include: • metaphor; • simile; • alliteration; • hyperbole; • allegory; • flashback; • first person narrative. Look for detailed references to the epic to support the above points and some sort of assessment of how they either add to or detract from Virgil’s credentials of a master storyteller.

Page 10 Mark Scheme Syllabus Paper Cambridge International AS/A Level – October/November 2016 9274 23 © UCLES 2016 SECTION 3: JUVENAL 7 (i) Name the lower-income guest mentioned in Satire 5. [1] Trebius (ii) What happened to Claudius when he ate the mushrooms his wife fed him (line 3)? [1] Poisoned/killed him (iii) How does the example of the apples (lines 4–10) support the point Juvenal is making here? [2] Virro eats the best whilst his clients eat the worst of the apples so that the clients will know their place. (iv) From this passage, find three examples of Juvenal’s satiric technique. Write out the example, identify the technique and explain its effect. [6] Any three of the following: • emphatic contrast in the quality of food – dubious toadstools versus rare mushrooms • use of famous people – very sarcastic about Claudius’ demise; • hyperbole in the quality of fruit – even the scent is a feast; • use of superlative – ‘choicest’; • use of epic/mythological references – Phaeacia, Hesperides; • use of rhetorical questions; • use of exclamation – what force, what pantomime; • repetition in the above to make the point more emphatic. (v) How effectively does Juvenal highlight the differences between the rich and the poor in Satire 5? [15] Satire 5 offers the perfect platform for criticising the patron/client system and the widening gulf between master and former slave. The cena provides Juvenal with ample scope for drawing attention to and, perhaps, exaggerating the differences between the rich and the poor for satirical effect. Differences are evident in the quality of the: • food, • wine, • crockery, • service, which the patron and client enjoy. The Satire also highlights the degradation the client endures in contrast to the wilful extravagances of the patron. The elevated position some of the slaves have obtained is worth commenting on, as is the advice Juvenal offers both to his friend and Virro.

Page 11 Mark Scheme Syllabus Paper Cambridge International AS/A Level – October/November 2016 9274 23 © UCLES 2016 The effectiveness of the Satire is reinforced by its structure which accentuates the differences between rich and poor – the reader is part of the dinner party as it unfolds and different characters and courses of the dinner are brought on in a natural sequence of events. The way Juvenal convincingly interjects his opinions and advice between these scenes adds a fluency to the Satire – it is almost as if we are sitting next to Juvenal at the dinner party. 8 ‘Satire 3 is convincing only because of the use of the persona of Umbricius.’ How far do you agree with this statement? [25] The use of the persona of Umbricius brings many advantages to the Satire. Foremost, it provides Juvenal with a way of expressing his negative views about living in Rome, even though the writer himself decided to stay put in the city. It lessens the charge of hypocrisy. Umbricius also provides an immediacy to the Satire. The reader is almost invited to join with Juvenal's persona who provides a tour of the capital to elucidate all the pitfalls of living in the capital. These include: • the daily lessening of his money; • the little chance of political or social advancement for a poor, honest citizen; • the advantages foreigners possess in making money; • how honesty has lost its value and now it is cash which speaks; • the mockery which is made of a poor man – he looks ridiculous; • the fact that social advancement is dependent upon wealth; • the sub-standard quality of much of the housing; • all sorts of dangers the streets pose to the poor. It should be noted that the use of a persona is not the only device used by Juvenal to make his Satire convincing. There is the use of constant contrast between the poor and the rich, the townsman and the countryman, Romans and foreigners which all serve to heighten the effectiveness of the Satire. In a similar way, the chronological presentation of these ideas and the varied thematic focus, with its cohesive and logical development, lend strength to the argument. At all times, the way Juvenal writes brings a richness to his work and candidates should consider a range of other satirical devices at work in Satire 3.

Page 12 Mark Scheme Syllabus Paper Cambridge International AS/A Level – October/November 2016 9274 23 © UCLES 2016 9 ‘Though talent be wanting, yet indignation will drive me to verse’ Satire 1. To what extent do you agree with Juvenal’s own view of his Satires? You should make reference to at least two Satires. [25] There is little doubt that indignation provides the driving force for much of Juvenal’s Satire. It is often evident in his accumulation of examples, repeated rhetorical questions, hatred of foreigners and other elements of society who have upset the social norm. It is questionable whether Satire 10 possesses the same vitriolic spirit of his earlier Satires. It is up to the candidate to decide whether Juvenal is lacking in talent or not. Areas which candidates might consider in relation to this question are his use of varying satiric techniques and an assessment of their contribution to the Satire. The way in which the different Satires are structured and the way the material is organised (or not) could offer a profitable line of exploration. There is also the content of the Satires, their diversity of theme and message to consider and assess. At all times look for close consideration of a breadth of examples taken from at least two of his Satires.

Page 13 Mark Scheme Syllabus Paper Cambridge International AS/A Level – October/November 2016 9274 23 © UCLES 2016 SECTION 4: ROMAN ARCHITECTURE 10 (i) Identify the two types of public building shown in the diagrams above. [2] • theatre • amphitheatre (ii) Give two uses of each of these types of public building. [4] • theatre: plays, recitals • amphitheatre: gladiatorial combats, venationes, executions, military displays (iii) Who usually funded these types of building in a Roman city, and why? [2] • wealthy individual • election, good of community, legacy • emperor • popularity (iv) Give the name of a specific example of each of these types of public building. [2] • theatre of Marcellus; theatre at Pompeii; theatre at Leptis Magna • Colosseum; amphitheatre at Pompeii • any specific theatre or amphitheatre (v) Compare and contrast the layout, architecture and details of the two buildings you have named in (iv). [15] The answer depends upon which buildings candidates select. Answers may include reference to: • the shape of the buildings; • the arena and the orchestra; • the seating; • provision of awning; • materials.

Page 14 Mark Scheme Syllabus Paper Cambridge International AS/A Level – October/November 2016 9274 23 © UCLES 2016 11 What considerations did an architect have to bear in mind when designing and constructing a temple? In your answer, you should refer specifically to at least two temples. [25] Architects had to think about: • space – not just for the temple but the altar and precinct to accommodate the worshippers and the type of worship for the particular god; • the style; • cost was a major consideration; • the materials [and availability] to be used; • decoration; • accommodating the statue, etc. Candidates may make reference to: • the Pantheon; • Maison Carreé; • temple of Bacchus at Baalbek; • any other temple they have studied. 12 ‘Practical structures, such as baths, are merely buildings; structures with visual appeal, such as basilicas, are architecture.’ How far do you agree with this opinion? In your answer, you should include reference to at least three specific monuments. [25] It does not matter whether a candidate agrees or disagrees with the statement provided so long as there is an attempt to create an argument based on the buildings they have studied. The examples selected will determine which way a candidate may argue. The quotation is based on Pevsner’s definition of architecture: that only buildings on a grand scale have aesthetic appeal and can be considered as architecture. Of course, the baths of Diocletian, the baths of Caracella and the baths of Hadrian at Leptis Magna are built on a grand scale and great attention was paid to the aesthetics of these buildings – such buildings may be used to argue against the quotation. More modest examples may be used to argue in favour of the statement. A range of different types of buildings should produce a more detailed argument.